This practice-led research examines the normalised representational practices regarding African children in humanitarian photography, querying blackness as an iconic signpost of distant suffering. It further attempts to shape practice by demonstrating contemporary approaches to visual representation through a creative portfolio and exhibitions.

Through visual analysis, visual ethnography, participatory photography, and the perspectives of photographers and NGO creative directors, this research, which has produced a photo documentary essay/exhibition, Utopia, advocates for a greater impact of the power of imagery in humanitarian aid fundraising and advocacy, while promoting ethical images of the ‘other’.