Geoffrey QuilleyEmeritus Professor (Art History)
Selected publications
Article
Quilley, Geoffrey (2016) Reenacting Cook’s Voyages in Nineteenth-Century Visual Culture. SEL Studies in English Literature, 56 (4). pp. 845-869. ISSN 0039-3657
Quilley, Geoffrey (2014) 'By cruel foes oppress'd': British naval draughtsmen in Tahiti and the South Pacific in the 1840s. Journal of Historical Geography, 43. pp. 71-84. ISSN 0305-7488
Quilley, Geoffrey (2014) Introduction: mapping the art of travel and exploration. Journal of Historical Geography, 43. pp. 2-8. ISSN 0305-7488
Quilley, Geoffrey (2014) Art history and double consciousness: visual culture and eighteenth-century maritime Britain. Eighteenth-Century Studies, 48 (1). pp. 21-35. ISSN 0013-2586
Book
Quilley, Geoff (2020) British art and the East India Company. The Worlds of the East India Company . Boydell and Brewer, Woodbridge, Suffolk. ISBN 9781783275106
Quilley, Geoffrey (2011) Empire to Nation: Art, History, and the Visualization of Maritime Britain, 1768-1829. Paul Mellon Centre for Studies in British Art . Yale University Press, New Haven and London. ISBN 9780300175684
Quilley, Geoffrey (2006) Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. National Maratime Museum, London. ISBN 9780948065767
Book Section
Quilley, Geoffrey (2019) Empire and tourism in British India c.1780-1825: the artistic travels of William Hodges and Charles Ramus Forrest. In: Castro, Maria Joao (ed.) Empire and tourism.: an anthology of essays. ArTravel . Centro de Humanidades, Universidade Nova de Lisboa, Lisbon, pp. 125-140. ISBN 9789899971929
Quilley, Geoffrey (2016) Placing the sea in eighteenth-century British art. In: Spreading Canvas: Eighteenth-Century British Marine Painting. Yale University Press, New Haven CT. ISBN 9780300221572
Quilley, Geoff (2016) Siting the circum-Atlantic: Nelson in a bottle in Trafalgar Square. In: Bernier, Celeste-Marie and Durkin, Hannah (eds.) Visualising slavery: art across the African Diaspora. Liverpool Studies in International Slavery (9). Liverpool University Press, Liverpool, pp. 155-167. ISBN 9781781382677
Quilley, Geoffrey (2015) 'A proper set of views': The British East India Company and the eighteenth-century visualization of South-East Asia. In: Damodaran, Vinita, Winterbottom, Anna and Lester, Alan (eds.) The East India Company and the natural world. Palgrave Macmillan, London, pp. 167-192. ISBN 9781137427267
Quilley, Geoffrey (2014) Sailors on horseback: the representation of seamen and social space in eighteenth-century British visual culture. In: Cusack, Tricia (ed.) Framing the ocean, 1700 to the present: envisaging the sea as social space. Ashgate, Farnham, UK and Burlington, VT, USA, pp. 85-100. ISBN 9781409465683
Quilley, Geoffrey (2013) Of sailors and slaves: portraiture, property, and the trials of circum-Atlantic subjectivities, c.1750–1830. In: Lugo-Ortiz, Agnes and Rosenthal, Angela (eds.) Slave portraiture in the Atlantic world. Cambridge University Press, Cambridge. ISBN 9781107004399
Quilley, Geoffrey (2009) The analysis of deceit: Sandby's satires against Hogarth. In: Bonehill, John and Daniels, Stephen (eds.) Paul Sandby: Picturing Britain. Royal Academy of Arts, London. ISBN 9781905711482
Quilley, Geoffrey (2009) The 'Trattato della Pittura' and Leonardo's Reputation in Eighteenth-Century British Art and Aesthetics. In: Farago, Claire (ed.) Re-reading Leonardo: the "Treatise on Painting" Across Europe, 1550-1900. Ashgate, Farnham, pp. 495-507. ISBN 9780754665328
Quilley, Geoffrey (2007) The lie of the land: slavery and the aesthetics of imperial landscape in eighteenth-century British art. In: Hamilton, Douglas J and Blyth, Robert J (eds.) Representing Slavery: Art, Artefacts and Archives in the Collections of the National Maritime Museum. Lund Humphries, Farnham, pp. 118-135. ISBN 9780853319665
Quilley, Geoffrey (2006) Introduction: British art and the maritime nation. In: Quilley, Geoffrey (ed.) Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. The National Maritime Museum, London, pp. 1-17. ISBN 9780948065767
Quilley, Geoffrey (2006) "A tiresome issue": the artistic heritage of empire and the Ministry of Defence Collection. In: Quilley, Geoffrey (ed.) Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. National Maritime Museum, London, pp. 99-109. ISBN 9780948065767
Quilley, Geoffrey (2006) The Battle of the Pictures: Painting the History of Trafalgar. In: Cannadine, David (ed.) Trafalgar in history. A battle and its afterlife. Palgrave Macmillan, Basingstoke and New York, pp. 121-138. ISBN 9780230009004
Bonehill, John and Quilley, Geoffrey (2005) Introduction. In: Bonehill, John and Quilley, Geoffrey (eds.) Conflicting Visions: War and Visual Culture in Britain and France c.1700-1830. Ashgate Publishing, Aldershot & Burlington, pp. 1-14. ISBN 9780754605751
Quilley, Geoffrey (2005) Questions of loyalty: the representation of the British West Indian colonies during the American Revolutionary War. In: Bonehill, John and Quilley, Geoffrey (eds.) Conflicting Visions: War and Visual Culture in Britain and France c.1700-1830. Ashgate, Aldershot, pp. 115-137. ISBN 9780754605751
Quilley, Geoffrey (2004) William Hodges, artist of empire. In: Quilley, Geoffrey and Bonehill, John (eds.) William Hodges 1744-1797: The Art of Exploration. Yale University Press, New Haven and London, pp. 1-7. ISBN 9780300103762
Quilley, Geoffrey (2004) Hodges and India. In: Quilley, Geoffrey and Bonehill, John (eds.) William Hodges 1744-1797: The Art of Exploration. National Maritime Museum, London, pp. 137-186. ISBN 9780300103762
Quilley, Geoffrey (2004) Representing Britishness: Hodges's British subjects. In: Quilley, Geoffrey and Bonehill, John (eds.) William Hodges 1744-1797: The Art of Exploration. Yale University Press, New Haven and London, pp. 187-202. ISBN 9780300103762
Quilley, Geoffrey and Kriz, Kay Dian (2003) Introduction: visual culture and the Atlantic world, 1660-1830. In: Quilley, Geoffrey and Kriz, Kay Dian (eds.) An economy of colour: Visual culture and the North Atlantic world, 1660¿1830. Manchester University Press, pp. 1-12. ISBN 9780719060069
Quilley, Geoffrey (2003) Pastoral plantations: the British slave trade and the representation of colonial landscape in the late eighteenth century. In: Quilley, Geoffrey and Kriz, Kay Dian (eds.) An economy of colour: Visual culture and the Atlantic world, 1660-1830. Critical Perspectives in Art History . Manchester University Press, Manchester, pp. 106-128. ISBN 9780719060069
Edited Book
Quilley, Geoffrey and Boneham, John, eds. (2005) Conflicting Visions: War and Visual Culture in Britain and France c. 1700-1830. Ashgate, Aldershot. ISBN 9780754605751
Quilley, Geoffrey and Bonehill, John, eds. (2004) William Hodges 1744-1797: The Art of Exploration. Yale University Press, New Haven and London. ISBN 9780300103762
Quilley, Geoffrey and Kriz, Kay Dian, eds. (2003) An economy of colour: Visual culture and the Atlantic World, 1660-1830. Critical Perspectives in Art History . Manchester University Press, Manchester and New York. ISBN 9780719060069
Conference or Workshop Item
Quilley, Geoffrey (2018) Piadas de negro: Escravidão e imprensa Satírica. In: Histórias da escravidão [Histories of Slavery], 28-29 October 2016, Museu de Arte de São Paolo.