De aula Lateranensi
Name of text: | De aula Lateranensi |
Author of text: | Jacobi Grimaldi |
Date of text: | 1617 |
Date of person in text: | |
Name of structure in text: | Lateran Palace, Triclinium of Leo III |
Type of structure in text: | Triclinium/dining hall |
Date of structure in text | 717-741 |
Century of structure 1: | 8 AD |
Century of structure 2: | |
Country in text: | Italy |
Region in text: | Lazio |
City in text: | Rome |
Specific place of mosaic in text: | Apse |
Description of mosaic in text: | Central apse shows Christ on a mountain from which spring four rivers of paradise. Blessing with right hand and holds book in left. Purple garments. Five apostles on each side, one carries a long cross, none of the others have attributes. All figures nimbed. Over Christ’s head a cloud with lightning. Border of mosaic consists of flowers which spring from two vessels. In the centre of border, over Christ’s head is the monogram of Leo III: A second border encircles the arch, containing inscription: GLORY TO GOD IN THE HIGHEST: AND ON EARTH PEACE TO MEN OF GOODWILL. At the feet of the figures runs a frieze with an inscription: GOING THEREFORE, TEACH YE ALL NATIONS, BAPTISING THEM IN THE NAME OF THE FATHER AND THE SON AND THE HOLY GHOST. AND BEHOLD I AM WITH YOU ALL DAYS, EVEN TO THE CONSUMMATION OF THE WORLD. On the triangular wall left of the apse is a picture of St. Peter, Leo III, black haired, with rectangular nimbus, and Charlemagne receiving a standard from St Peter, six red roses in a blue field. Charlemagne has two twisted moustaches. In the vault of the apse are ten apostles, and the eleventh is in the triangle of the apse wall. |
Mosaic date in text: | 8 AD |
Tesserae silver mentioned in text? | No |
Tesserae gold mentioned in text? | No |
Colour descriptions in text: | purple black red blue |
Bibliography: | J. Grimaldi, De aula Lateranensi, ed. Philippe Lauer, Le Palais de Latran (Paris: Leroux, 1911), pp. 581-82, quoted in Caecilia Davis-Weyer, Early Medieval Art: 300-1150 (Canada: University of Toronto Press, 1986), pp. 91-92. |
URLs: | |
Comments: | By 1617 the small hall had been made into a garden, with only one of the three apses standing, other two half gone. Surviving mosaic exposed to the elements. |